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	<id>https://cyborganthropology.com/index.php?action=history&amp;feed=atom&amp;title=Museum_Science</id>
	<title>Museum Science - Revision history</title>
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	<updated>2026-04-24T09:19:32Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://cyborganthropology.com/index.php?title=Museum_Science&amp;diff=2862&amp;oldid=prev</id>
		<title>Caseorganic at 19:02, 26 January 2011</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Museum_Science&amp;diff=2862&amp;oldid=prev"/>
		<updated>2011-01-26T19:02:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:02, 26 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;TECHNOCRATIC MUSEUM &lt;/del&gt;by Valerie Casey&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===Technocratic Museum===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;by Valerie Casey&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Museums persuasively communicate with their audiences through display techniques, and visitors experience the museum through curatorial negotiation. Prosthetics like label text, docent monologues, and exhibition catalogues have long mediated the relationship between viewers and objects. In recent years, however, in the context of late capitalism&amp;#039;s facility for mass customization and media saturation, encounters with objects both in and out of the museum have been obscured by stylistic details that relate them more to a larger culture of design than those developed organically from objects themselves. In turn, experiences within the museum cannot help but be affected&amp;quot;. http://www.valcasey.com/thesis/thesis_technocratic.html&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Museums persuasively communicate with their audiences through display techniques, and visitors experience the museum through curatorial negotiation. Prosthetics like label text, docent monologues, and exhibition catalogues have long mediated the relationship between viewers and objects. In recent years, however, in the context of late capitalism&amp;#039;s facility for mass customization and media saturation, encounters with objects both in and out of the museum have been obscured by stylistic details that relate them more to a larger culture of design than those developed organically from objects themselves. In turn, experiences within the museum cannot help but be affected&amp;quot;. http://www.valcasey.com/thesis/thesis_technocratic.html&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Caseorganic</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Museum_Science&amp;diff=2861&amp;oldid=prev</id>
		<title>Caseorganic: Created page with &#039;TECHNOCRATIC MUSEUM by Valerie Casey  &quot;Museums persuasively communicate with their audiences through display techniques, and visitors experience the museum through curatorial neg…&#039;</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Museum_Science&amp;diff=2861&amp;oldid=prev"/>
		<updated>2011-01-26T19:01:53Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;TECHNOCRATIC MUSEUM by Valerie Casey  &amp;quot;Museums persuasively communicate with their audiences through display techniques, and visitors experience the museum through curatorial neg…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;TECHNOCRATIC MUSEUM by Valerie Casey&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Museums persuasively communicate with their audiences through display techniques, and visitors experience the museum through curatorial negotiation. Prosthetics like label text, docent monologues, and exhibition catalogues have long mediated the relationship between viewers and objects. In recent years, however, in the context of late capitalism&amp;#039;s facility for mass customization and media saturation, encounters with objects both in and out of the museum have been obscured by stylistic details that relate them more to a larger culture of design than those developed organically from objects themselves. In turn, experiences within the museum cannot help but be affected&amp;quot;. http://www.valcasey.com/thesis/thesis_technocratic.html&lt;/div&gt;</summary>
		<author><name>Caseorganic</name></author>
	</entry>
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