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	<title>Cyborg Fashion - Revision history</title>
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	<updated>2026-04-22T07:17:23Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=4707&amp;oldid=prev</id>
		<title>Aaronpk at 01:47, 3 July 2011</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=4707&amp;oldid=prev"/>
		<updated>2011-07-03T01:47:50Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:47, 3 July 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], Steve Mann writes that &amp;quot;people are afraid technology will turn them into cyborgs, but to present this is to make it fashionable...&amp;quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 95).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], Steve Mann writes that &amp;quot;people are afraid technology will turn them into cyborgs, but to present this is to make it fashionable...&amp;quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 95).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, fashionable technology is what makes people lust after technologies like cars and phones, even though &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;they &lt;/del&gt;are machines. Prior to this, even though communication platforms such as Twitter existed in the form of IRC, and networks of people and statuses like Facebook existed at PARC, these technologies were not visually or aesthetically pleasing, leading to a depletion of the enjoyment of the experience. Even more, they were large, unwieldy and unaffordable.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, fashionable technology is what makes people lust after technologies like cars and phones, even though &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cars and phones &lt;/ins&gt;are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ultimately just &lt;/ins&gt;machines. Prior to this, even though communication platforms such as Twitter existed in the form of IRC, and networks of people and statuses like Facebook existed at PARC, these technologies were not visually or aesthetically pleasing, leading to a depletion of the enjoyment of the experience. Even more, they were large, unwieldy and unaffordable.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Regardless of how far you want to take the &quot;we are already cyborgs &quot; maxim, clearly in parts of the world cyborg reality pervades. When once&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/del&gt;-in the early 1980&#039;s for instance &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--&lt;/del&gt;- I was regarded as freakish and bizarre, I am not understood by those who check their Email in the back seat of a taxi, make a phone call on the subway, or spend time during their luxury cruise staring down at a laptop. Walking the streets, I find that states are more curious than hostile -- no longer considered an unpredictable sci-fi apparition, I am not just another cyborg in possession of advanced cyborg technologies. For better or worse, I have the latest gizmo in a society of people who worship their gizmos&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 93).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Regardless of how far you want to take the &quot;we are already cyborgs&quot; maxim, clearly in parts of the world cyborg reality pervades. When once - in the early 1980&#039;s for instance - I was regarded as freakish and bizarre, I am not understood by those who check their Email in the back seat of a taxi, make a phone call on the subway, or spend time during their luxury cruise staring down at a laptop. Walking the streets, I find that states are more curious than hostile -- no longer considered an unpredictable sci-fi apparition, I am not just another cyborg in possession of advanced cyborg technologies. For better or worse, I have the latest gizmo in a society of people who worship their gizmos&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 93).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;However,&quot; writes [[Steve Mann]], &quot;my new-found &quot;acceptance&quot; in society comes, I suspect, at the hefty price that will we will end up paying. Today, &quot;wearables&quot; are all the rage. What is it that makes wearable technology suddenly so compelling? The proliferation of fashion shows depicting fanciful yet nonfunctional units suggest a purely aesthetic motive inspired by bogus pop culture portrayals of cyborg technology as disconnected from everyday life (&#039;&#039;&#039;the cyborg age is always coming, never here&#039;&#039;&#039;). Which is to say &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hat cyborg sand &lt;/del&gt;their true implications for everyday life are being kept sagely in the realm of entertainment and fantasy&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;However,&quot; writes [[Steve Mann]], &quot;my new-found &quot;acceptance&quot; in society comes, I suspect, at the hefty price that will we will end up paying. Today, &quot;wearables&quot; are all the rage. What is it that makes wearable technology suddenly so compelling? The proliferation of fashion shows depicting fanciful yet nonfunctional units suggest a purely aesthetic motive inspired by bogus pop culture portrayals of cyborg technology as disconnected from everyday life (&#039;&#039;&#039;the cyborg age is always coming, never here&#039;&#039;&#039;). Which is to say &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that cyborgs and &lt;/ins&gt;their true implications for everyday life are being kept sagely in the realm of entertainment and fantasy&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing&quot;, says [[Steve Mann]]. &quot;CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Int he &lt;/del&gt;month pr two following a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fal &lt;/del&gt;1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fastions&lt;/del&gt;: models with strange things sticking out of their heads. The rhetoric &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;of &lt;/del&gt;always going something like&quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing&quot;, says [[Steve Mann]]. &quot;CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the &lt;/ins&gt;month pr two following a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fall &lt;/ins&gt;1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fashions&lt;/ins&gt;: models with strange things sticking out of their heads. The rhetoric always going something like &quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===LED Teeth Lights===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===LED Teeth Lights===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:led-light-teeth-japan.jpg|250px|right]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:led-light-teeth-japan.jpg|250px|right]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;The new fashion accessories were originally created as an experiment by two Japanese designers and are now being used in a commercial advertising a winter sale at a Japanese clothing store, Laforet Harajuku. They are quickly becoming a sought after accessory. Instead of gold, however, these “fronts” contain bright multicolored glowing LED lights&quot; [http://bits.blogs.nytimes.com/2011/01/21/new-japanese-fashion-l-e-d-lights-for-your-teeth/ New Japanese Fashion: LED Lights for Your Teeth] By Nick Bilton January 21, 2011, 7:44 AM.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;The new fashion accessories were originally created as an experiment by two Japanese designers and are now being used in a commercial advertising a winter sale at a Japanese clothing store, Laforet Harajuku. They are quickly becoming a sought after accessory. Instead of gold, however, these “fronts” contain bright multicolored glowing LED lights&quot; [http://bits.blogs.nytimes.com/2011/01/21/new-japanese-fashion-l-e-d-lights-for-your-teeth/ New Japanese Fashion: LED Lights for Your Teeth] By Nick Bilton January 21, 2011, 7:44 AM. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One commenter on the New York Times story pointed out that &quot;One hundred fifty years ago, these LEDs would have made someone a god or a devil, depending on the color. Now they are just a toy.&quot;&amp;lt;ref&amp;gt;[http://community.nytimes.com/comments/bits.blogs.nytimes.com/2011/01/21/new-japanese-fashion-l-e-d-lights-for-your-teeth/?permid=22#comment22 New Japanese Fashion: LED Lights for Your Teeth, January 2011, comment by &quot;Michael&quot;]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== References ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key p37438:diff:1.41:old-2943:rev-4707:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Aaronpk</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2943&amp;oldid=prev</id>
		<title>Caseorganic at 22:40, 27 January 2011</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2943&amp;oldid=prev"/>
		<updated>2011-01-27T22:40:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:40, 27 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;, says [[Steve Mann]]&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{clear}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key p37438:diff:1.41:old-2942:rev-2943:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>Caseorganic</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2942&amp;oldid=prev</id>
		<title>Caseorganic at 22:01, 27 January 2011</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2942&amp;oldid=prev"/>
		<updated>2011-01-27T22:01:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:01, 27 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===History as Future===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Pictures of my old rigs from the 1970&amp;#039;s and early 1980&amp;#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&amp;#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&amp;quot;The year is 2030...&amp;quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&amp;quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Pictures of my old rigs from the 1970&amp;#039;s and early 1980&amp;#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&amp;#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&amp;quot;The year is 2030...&amp;quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&amp;quot; (Mann, [[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg]], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{clear}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===LED Teeth Lights===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Image:led-light-teeth-japan.jpg|250px|right]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;The new fashion accessories were originally created as an experiment by two Japanese designers and are now being used in a commercial advertising a winter sale at a Japanese clothing store, Laforet Harajuku. They are quickly becoming a sought after accessory. Instead of gold, however, these “fronts” contain bright multicolored glowing LED lights&quot; [http://bits.blogs.nytimes.com/2011/01/21/new-japanese-fashion-l-e-d-lights-for-your-teeth/ New Japanese Fashion: LED Lights for Your Teeth] By Nick Bilton January 21, 2011, 7:44 AM.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{clear}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Caseorganic</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2940&amp;oldid=prev</id>
		<title>Caseorganic: moved Cyborgs and Fashion to Cyborg Fashion</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2940&amp;oldid=prev"/>
		<updated>2011-01-27T21:59:54Z</updated>

		<summary type="html">&lt;p&gt;moved &lt;a href=&quot;/index.php/Cyborgs_and_Fashion&quot; class=&quot;mw-redirect&quot; title=&quot;Cyborgs and Fashion&quot;&gt;Cyborgs and Fashion&lt;/a&gt; to &lt;a href=&quot;/index.php/Cyborg_Fashion&quot; title=&quot;Cyborg Fashion&quot;&gt;Cyborg Fashion&lt;/a&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:59, 27 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;4&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
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		<author><name>Caseorganic</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2325&amp;oldid=prev</id>
		<title>Caseorganic at 20:40, 22 January 2011</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2325&amp;oldid=prev"/>
		<updated>2011-01-22T20:40:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:40, 22 January 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Fashion and Adoption of Technology===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Fashion and Adoption of Technology===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg], Steve Mann writes that &quot;people are afraid technology will turn them into cyborgs, but to present this is to make it fashionable...&quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 95).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;], Steve Mann writes that &quot;people are afraid technology will turn them into cyborgs, but to present this is to make it fashionable...&quot; (Mann, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Cyborg]&lt;/ins&gt;], 95).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, fashionable technology is what makes people lust after technologies like cars and phones, even though they are machines. Prior to this, even though communication platforms such as Twitter existed in the form of IRC, and networks of people and statuses like Facebook existed at PARC, these technologies were not visually or aesthetically pleasing, leading to a depletion of the enjoyment of the experience. Even more, they were large, unwieldy and unaffordable.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, fashionable technology is what makes people lust after technologies like cars and phones, even though they are machines. Prior to this, even though communication platforms such as Twitter existed in the form of IRC, and networks of people and statuses like Facebook existed at PARC, these technologies were not visually or aesthetically pleasing, leading to a depletion of the enjoyment of the experience. Even more, they were large, unwieldy and unaffordable.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Regardless of how far you want to take the &quot;we are already cyborgs &quot; maxim, clearly in parts of the world cyborg reality pervades. When once--in the early 1980&#039;s for instance --- I was regarded as freakish and bizarre, I am not understood by those who check their Email in the back seat of a taxi, make a phone call on the subway, or spend time during their luxury cruise staring down at a laptop. Walking the streets, I find that states are more curious than hostile -- no longer considered an unpredictable sci-fi apparition, I am not just another cyborg in possession of advanced cyborg technologies. For better or worse, I have the latest gizmo in a society of people who worship their gizmos&quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 93).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Regardless of how far you want to take the &quot;we are already cyborgs &quot; maxim, clearly in parts of the world cyborg reality pervades. When once--in the early 1980&#039;s for instance --- I was regarded as freakish and bizarre, I am not understood by those who check their Email in the back seat of a taxi, make a phone call on the subway, or spend time during their luxury cruise staring down at a laptop. Walking the streets, I find that states are more curious than hostile -- no longer considered an unpredictable sci-fi apparition, I am not just another cyborg in possession of advanced cyborg technologies. For better or worse, I have the latest gizmo in a society of people who worship their gizmos&quot; (Mann, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Cyborg]&lt;/ins&gt;], 93).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;However,&quot; writes [[Steve Mann]], &quot;my new-found &quot;acceptance&quot; in society comes, I suspect, at the hefty price that will we will end up paying. Today, &quot;wearables&quot; are all the rage. What is it that makes wearable technology suddenly so compelling? The proliferation of fashion shows depicting fanciful yet nonfunctional units suggest a purely aesthetic motive inspired by bogus pop culture portrayals of cyborg technology as disconnected from everyday life (&#039;&#039;&#039;the cyborg age is always coming, never here&#039;&#039;&#039;). Which is to say hat cyborg sand their true implications for everyday life are being kept sagely in the realm of entertainment and fantasy&quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;However,&quot; writes [[Steve Mann]], &quot;my new-found &quot;acceptance&quot; in society comes, I suspect, at the hefty price that will we will end up paying. Today, &quot;wearables&quot; are all the rage. What is it that makes wearable technology suddenly so compelling? The proliferation of fashion shows depicting fanciful yet nonfunctional units suggest a purely aesthetic motive inspired by bogus pop culture portrayals of cyborg technology as disconnected from everyday life (&#039;&#039;&#039;the cyborg age is always coming, never here&#039;&#039;&#039;). Which is to say hat cyborg sand their true implications for everyday life are being kept sagely in the realm of entertainment and fantasy&quot; (Mann, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Cyborg]&lt;/ins&gt;], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===History as Future===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 94).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Pictures of my old rigs from the 1970&#039;s and early 1980&#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&quot;The year is 2030...&quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&quot; (Mann, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;[Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Cyborg]&lt;/ins&gt;], 94).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Book Pages]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Steve Mann]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>Caseorganic</name></author>
	</entry>
	<entry>
		<id>https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2324&amp;oldid=prev</id>
		<title>Caseorganic: Created page with &#039;===Fashion and Adoption of Technology=== In [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg], Steve Mann writes that &quot;people are afraid …&#039;</title>
		<link rel="alternate" type="text/html" href="https://cyborganthropology.com/index.php?title=Cyborg_Fashion&amp;diff=2324&amp;oldid=prev"/>
		<updated>2011-01-22T20:39:06Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;===Fashion and Adoption of Technology=== In [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg], Steve Mann writes that &amp;quot;people are afraid …&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;===Fashion and Adoption of Technology===&lt;br /&gt;
In [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer|Cyborg], Steve Mann writes that &amp;quot;people are afraid technology will turn them into cyborgs, but to present this is to make it fashionable...&amp;quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 95).&lt;br /&gt;
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Indeed, fashionable technology is what makes people lust after technologies like cars and phones, even though they are machines. Prior to this, even though communication platforms such as Twitter existed in the form of IRC, and networks of people and statuses like Facebook existed at PARC, these technologies were not visually or aesthetically pleasing, leading to a depletion of the enjoyment of the experience. Even more, they were large, unwieldy and unaffordable. &lt;br /&gt;
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&amp;quot;Regardless of how far you want to take the &amp;quot;we are already cyborgs &amp;quot; maxim, clearly in parts of the world cyborg reality pervades. When once--in the early 1980&amp;#039;s for instance --- I was regarded as freakish and bizarre, I am not understood by those who check their Email in the back seat of a taxi, make a phone call on the subway, or spend time during their luxury cruise staring down at a laptop. Walking the streets, I find that states are more curious than hostile -- no longer considered an unpredictable sci-fi apparition, I am not just another cyborg in possession of advanced cyborg technologies. For better or worse, I have the latest gizmo in a society of people who worship their gizmos&amp;quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 93).&lt;br /&gt;
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&amp;quot;However,&amp;quot; writes [[Steve Mann]], &amp;quot;my new-found &amp;quot;acceptance&amp;quot; in society comes, I suspect, at the hefty price that will we will end up paying. Today, &amp;quot;wearables&amp;quot; are all the rage. What is it that makes wearable technology suddenly so compelling? The proliferation of fashion shows depicting fanciful yet nonfunctional units suggest a purely aesthetic motive inspired by bogus pop culture portrayals of cyborg technology as disconnected from everyday life (&amp;#039;&amp;#039;&amp;#039;the cyborg age is always coming, never here&amp;#039;&amp;#039;&amp;#039;). Which is to say hat cyborg sand their true implications for everyday life are being kept sagely in the realm of entertainment and fantasy&amp;quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 94).&lt;br /&gt;
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&amp;quot;Pictures of my old rigs from the 1970&amp;#039;s and early 1980&amp;#039;s turn up on the covers of various magazines predicting the future of computing. CEOs and presidents of companies often use these ancient images to bolster talks about what technology in the new millennium will bring. Int he month pr two following a Fal 1997 exhibition at MIT&amp;#039;s List Visual Arts Center depicting the past twenty years of my wearable computer inventions, there arose a surge of outlandish looking cyber-fastions: models with strange things sticking out of their heads. The rhetoric of always going something like&amp;quot;The year is 2030...&amp;quot; with a brief description of what we will be wearing in the future. Cyborg technologies retain their futuristic false promise regardless of present-day truths that tell a very different story&amp;quot; (Mann, [Cyborg: Digital Destiny and Human Possibility in the Age of the Wearable Computer], 94).&lt;br /&gt;
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[[Category:Book Pages]]&lt;br /&gt;
[[Category:Steve Mann]]&lt;/div&gt;</summary>
		<author><name>Caseorganic</name></author>
	</entry>
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