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		<title>Caseorganic: Created page with &quot;===Definition=== Awe is the emotion arising from an encounter with something vast enough to exceed a person&#039;s existing frame of reference, and which therefore requires that frame to be revised.  Dacher Keltner and Jonathan Haidt identify two necessary features: &#039;&#039;&#039;perceived vastness&#039;&#039;&#039; — physical, conceptual, social or temporal — and a &#039;&#039;&#039;need for accommodation&#039;&#039;&#039;, the requirement that existing mental structures be adjusted to take in what has been encountered.&lt;ref&gt;K...&quot;</title>
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		<summary type="html">&lt;p&gt;Created page with &amp;quot;===Definition=== Awe is the emotion arising from an encounter with something vast enough to exceed a person&amp;#039;s existing frame of reference, and which therefore requires that frame to be revised.  Dacher Keltner and Jonathan Haidt identify two necessary features: &amp;#039;&amp;#039;&amp;#039;perceived vastness&amp;#039;&amp;#039;&amp;#039; — physical, conceptual, social or temporal — and a &amp;#039;&amp;#039;&amp;#039;need for accommodation&amp;#039;&amp;#039;&amp;#039;, the requirement that existing mental structures be adjusted to take in what has been encountered.&amp;lt;ref&amp;gt;K...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;===Definition===&lt;br /&gt;
Awe is the emotion arising from an encounter with something vast enough to exceed a person&amp;#039;s existing frame of reference, and which therefore requires that frame to be revised.&lt;br /&gt;
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Dacher Keltner and Jonathan Haidt identify two necessary features: &amp;#039;&amp;#039;&amp;#039;perceived vastness&amp;#039;&amp;#039;&amp;#039; — physical, conceptual, social or temporal — and a &amp;#039;&amp;#039;&amp;#039;need for accommodation&amp;#039;&amp;#039;&amp;#039;, the requirement that existing mental structures be adjusted to take in what has been encountered.&amp;lt;ref&amp;gt;Keltner, Dacher, and Jonathan Haidt. &amp;quot;Approaching Awe, a Moral, Spiritual, and Aesthetic Emotion.&amp;quot; &amp;#039;&amp;#039;Cognition and Emotion&amp;#039;&amp;#039; 17, no. 2 (2003): 297–314.&amp;lt;/ref&amp;gt; Without the second, vastness produces only impression; without the first, accommodation is merely learning.&lt;br /&gt;
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===Characteristics===&lt;br /&gt;
Awe is unusual among emotions in several respects. It is not clearly positive or negative — the same encounter can produce elation or dread, and reports frequently contain both. It reliably produces a &amp;#039;&amp;#039;&amp;#039;diminished sense of self&amp;#039;&amp;#039;&amp;#039;: experimental subjects induced into awe draw themselves smaller, report feeling physically smaller, and describe their own concerns as less pressing. And it slows the perception of time: people in an awe state report having more time available and become measurably more willing to give it away.&lt;br /&gt;
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Downstream, awe is associated with increased prosocial behavior, generosity, humility, and a greater tolerance for uncertainty. Keltner&amp;#039;s group has proposed the &amp;quot;small self&amp;quot; as the mechanism: an emotion that reduces self-focus makes room for collective concern.&lt;br /&gt;
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===Sources===&lt;br /&gt;
The reliable elicitors are nature at scale, birth and death, music and art, extraordinary skill, moral beauty, collective ritual and effervescence, and — increasingly documented — vast conceptual scale, such as deep time or the size of the universe. The &amp;#039;&amp;#039;&amp;#039;overview effect&amp;#039;&amp;#039;&amp;#039;, the reorientation reported by astronauts seeing Earth from orbit, is the most studied single case, and has been the model for many attempts at synthetic reproduction.&lt;br /&gt;
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===Awe and Technology===&lt;br /&gt;
Two distinct relationships are worth separating.&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Technology as a means of producing awe.&amp;#039;&amp;#039;&amp;#039; Immersive environments, planetaria, large-scale projection, VR reconstructions of orbital views and simulated deep time all deliberately target the two conditions. The research on VR-induced awe finds real effects on prosocial measures, and also that the effect depends heavily on the sense of presence rather than on visual fidelity — see [[Immersive technology|immersive technology]].&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;The technological sublime.&amp;#039;&amp;#039;&amp;#039; David Nye&amp;#039;s term, extending Kant and Burke, for the awe historically directed at human-made vastness: the railway, the bridge, the dam, the rocket, the factory. Nye&amp;#039;s argument is that in the United States this became a civil religion, with technological objects performing the function landscape performed in European Romanticism. Product launches, and the aesthetics of scale in data-centre and rocket photography, are its current form.&lt;br /&gt;
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The interesting question for this field is what routine access does to the emotion. Awe requires that something exceed one&amp;#039;s frame; a frame continuously stretched by images of everything may become correspondingly harder to exceed. Whether this constitutes a genuine erosion or merely a shift in what elicits awe is not settled.&lt;br /&gt;
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===Relevance to Cyborg Anthropology===&lt;br /&gt;
Awe is the emotion most directly concerned with the boundaries of a person&amp;#039;s model of the world, which makes it the natural counterpart to a field studying the extension of the person. It is also one of the few states in which the reduction of the self is experienced as a good — a useful corrective in a technological culture organised almost entirely around its amplification.&lt;br /&gt;
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===Related Reading===&lt;br /&gt;
* [[Immersive technology]]&lt;br /&gt;
* [[Belonging]]&lt;br /&gt;
* [[Existentialism]]&lt;br /&gt;
* [[Hans Ulrich Gumbrecht]]&lt;br /&gt;
* [[Yi-Fu Tuan]]&lt;br /&gt;
* [[Calm Technology]]&lt;br /&gt;
&lt;br /&gt;
===References===&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Cyborg Anthropology]]&lt;br /&gt;
[[Category:Traditional Anthropology]]&lt;/div&gt;</summary>
		<author><name>Caseorganic</name></author>
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