http://cyborganthropology.com/wiki/index.php?title=Psychasthenia&feed=atom&action=historyPsychasthenia - Revision history2024-03-28T11:19:54ZRevision history for this page on the wikiMediaWiki 1.23.13http://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=5817&oldid=prevCaseorganic at 00:33, 19 December 20112011-12-19T00:33:32Z<p></p>
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</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3866&oldid=prevCaseorganic at 20:57, 15 May 20112011-05-15T20:57:54Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety. The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ <del class="diffchange diffchange-inline">Source</del>]</ref></blockquote></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety. The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ <ins class="diffchange diffchange-inline">Aitken, Paul. MySpace and Legendary Psychasthenia</ins>]</ref></blockquote></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"The psychasthenic has insufficient control over their conscious thinking and memory, sometimes wandering aimlessly and/or forgetting what they were doing. Thoughts can be scattered and take significant effort to organize, often resulting in sentences that don't come out as intended, therefore making little sense to others. The constant mental effort and characteristic insomnia induces fatigue, which worsens the condition. Symptoms can possibly be greatly reduced with concentration exercises and therapy, depending on whether the condition is psychological or biological".<ref>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</ref></blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"The psychasthenic has insufficient control over their conscious thinking and memory, sometimes wandering aimlessly and/or forgetting what they were doing. Thoughts can be scattered and take significant effort to organize, often resulting in sentences that don't come out as intended, therefore making little sense to others. The constant mental effort and characteristic insomnia induces fatigue, which worsens the condition. Symptoms can possibly be greatly reduced with concentration exercises and therapy, depending on whether the condition is psychological or biological".<ref>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</ref></blockquote></div></td></tr>
</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3865&oldid=prevCaseorganic at 20:57, 15 May 20112011-05-15T20:57:18Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety. The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ Source]</ref></blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety. The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ Source]</ref></blockquote></div></td></tr>
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</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3864&oldid=prevCaseorganic at 20:56, 15 May 20112011-05-15T20:56:39Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Definition===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Definition===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety.<del class="diffchange diffchange-inline">[1] </del>The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ Source]</ref></blockquote></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety. The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".<ref>[http://paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/ Source]</ref></blockquote></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"The psychasthenic has insufficient control over their conscious thinking and memory, sometimes wandering aimlessly and/or forgetting what they were doing. Thoughts can be scattered and take significant effort to organize, often resulting in sentences that don't come out as intended, therefore making little sense to others. The constant mental effort and characteristic insomnia induces fatigue, which worsens the condition. Symptoms can possibly be greatly reduced with concentration exercises and therapy, depending on whether the condition is psychological or biological".<ref>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</ref></blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"The psychasthenic has insufficient control over their conscious thinking and memory, sometimes wandering aimlessly and/or forgetting what they were doing. Thoughts can be scattered and take significant effort to organize, often resulting in sentences that don't come out as intended, therefore making little sense to others. The constant mental effort and characteristic insomnia induces fatigue, which worsens the condition. Symptoms can possibly be greatly reduced with concentration exercises and therapy, depending on whether the condition is psychological or biological".<ref>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</ref></blockquote></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">===Psychasthenia and Technological Connectivity===</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Connectivity on the internet often leads people into a cognitive state that resembles psychasthenia. During a period of flow characterized by multi-tabbing and multitasking online, users often have  "insufficient control over their conscious thinking and memory, sometimes wandering aimlessly and/or forgetting what they were doing". In order to create collected thoughts, the mind must put together the various pieces and memories that are being simultaneously accessed in order to achieve action of cognitive consistency ("thoughts can be scattered and take significant effort to organize") This "constant mental effort and characteristic insomnia induces fatigue, which worsens the condition", and when combined with the constant mental stimulation that the Internet provides, leads to less sleep and less time for mental defragmentation. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Because the materiality of the Internet is invisible to its users, actions that might be considered as mild psychosis can easily occur with Internet users because there is often no material evidence to them. Many people hoard information, compulsively check their Email, and browse many fragmented subjects at once. In reality, these actions would manifest as compusively checking one's physiccal mailbox or P.O. box hundreds of times a day, hoarding non-useful information into rooms, taking millions of pictures and storing them in a back room, and having 200 books open to various pages all at once (multiple browser tabs). Mobile computing has allowed for the mobilization of these obsessions and actions, to where one can check E-mail in line, filling moments of non-action into sites of obsession. </ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Related Reading===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Related Reading===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Panic Architecture]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Panic Architecture]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Surface Tension]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*[[Surface Tension]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[[The Templated Self]]]</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[[The Templated Self]<ins class="diffchange diffchange-inline">]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">*[[Simultaneous Time]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">*[[Mental Fragmentation</ins>]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==References==</div></td></tr>
</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3863&oldid=prevCaseorganic at 20:44, 15 May 20112011-05-15T20:44:33Z<p></p>
<a href="http://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3863&oldid=3138">Show changes</a>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=3138&oldid=prevCaseorganic at 20:58, 12 February 20112011-02-12T20:58:37Z<p></p>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">__NOTOC__</ins></div></td></tr>
</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=2364&oldid=prevCaseorganic at 20:59, 22 January 20112011-01-22T20:59:26Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 20:59, 22 January 2011</td>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td></tr>
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</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=1245&oldid=prevCaseorganic at 16:51, 18 October 20102010-10-18T16:51:31Z<p></p>
<table class='diff diff-contentalign-left'>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 16:51, 18 October 2010</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>__NOTOC__</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">===Definition===</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety.[1] The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".</blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety.[1] The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".</blockquote></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Also see: [[Panic Architecture]], [[Surface Tension]] and [[The Templated Self]]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Also see: [[Panic Architecture]], [[Surface Tension]] and [[The Templated Self]]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">----</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">===Notes on MySpace and Legendary Psychasthenia===</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Will Merrin posted a fascinating essay at Media Studies 2.o back in September, which I have only just now got around to reading. He addresses the social networking user through Roger Caillois’s 1935 essay “Mimicry and Legendary Psychasthenia“. Merrin critiques the social networking profile and points out a beef I’ve had for a while with the proliferation of Facebook and its boring, blue and white layout used for every person on the site:</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Will Merrin posted a fascinating essay at Media Studies 2.o back in September, which I have only just now got around to reading. He addresses the social networking user through Roger Caillois’s 1935 essay “Mimicry and Legendary Psychasthenia“. Merrin critiques the social networking profile and points out a beef I’ve had for a while with the proliferation of Facebook and its boring, blue and white layout used for every person on the site:</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Once the construction of a personal webpage required some degree of programming expertise. Today the social networking user merely interacts with, manipulates and fills-in pre-programmed templates and applications".</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Once the construction of a personal webpage required some degree of programming expertise. Today the social networking user merely interacts with, manipulates and fills-in pre-programmed templates and applications".</div></td></tr>
<tr><td colspan="2" class="diff-lineno">Line 47:</td>
<td colspan="2" class="diff-lineno">Line 48:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Although Caillois’s essay has attracted its own form of fascination upon generations of readers, few have yet recognised its significance for understanding our contemporary electronic media. Perhaps the closest media theory has come is Jean’s Baudrillard’s prescient analysis of our wired and networked lives first put forward in his 1983 book, Fatal Strategies and appearing also in his 1987 text, The Ecstasy of Communication (3). Baudrillard’s entire theory is built upon a critique of contemporary mediated relations as merely simulations of human communication (or what he calls ‘symbolic exchange’) (4) and this is expanded in this text as he describes the implosion of the private and public spheres and its implications.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Although Caillois’s essay has attracted its own form of fascination upon generations of readers, few have yet recognised its significance for understanding our contemporary electronic media. Perhaps the closest media theory has come is Jean’s Baudrillard’s prescient analysis of our wired and networked lives first put forward in his 1983 book, Fatal Strategies and appearing also in his 1987 text, The Ecstasy of Communication (3). Baudrillard’s entire theory is built upon a critique of contemporary mediated relations as merely simulations of human communication (or what he calls ‘symbolic exchange’) (4) and this is expanded in this text as he describes the implosion of the private and public spheres and its implications.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>We simultaneously suffer, Baudrillard says, a <del class="diffchange diffchange-inline">‘forced </del>extraversion of all interiority’, as everything once private unfolds upon the screens of the world and a ‘forced <del class="diffchange diffchange-inline">introjection </del>of all exteriority’ as the world’s events and people and places penetrate the private realm. Writing years before the rise of the internet as a public medium Baudrillard describes the development of a ‘private telematics’ in which the individual is ‘promoted to the controls of a hypothetical machine, isolated in a position of personal sovereignty … in the same position as the astronaut in his bubble’. Electronic technologies, therefore, transform our habitat ‘into a kind of archaic closed-off cell, into a vestige of human relations’ whilst we interact by remote control. Interior space ceases to be the stage of the self and its drama but instead becomes ‘a receiving and operating area’ and we are reduced to being merely ‘terminals of multiple networks’.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>We simultaneously suffer, Baudrillard says, a <ins class="diffchange diffchange-inline">‘[[forced </ins>extraversion<ins class="diffchange diffchange-inline">]] </ins>of all interiority’, as everything once private unfolds upon the screens of the world and a ‘forced <ins class="diffchange diffchange-inline">introversion </ins>of all exteriority’ as the world’s events and people and places penetrate the private realm. Writing years before the rise of the internet as a public medium Baudrillard describes the development of a ‘private telematics’ in which the individual is ‘promoted to the controls of a hypothetical machine, isolated in a position of personal sovereignty … in the same position as the astronaut in his bubble’. Electronic technologies, therefore, transform our habitat ‘into a kind of archaic closed-off cell, into a vestige of human relations’ whilst we interact by remote control. Interior space ceases to be the stage of the self and its drama but instead becomes ‘a receiving and operating area’ and we are reduced to being merely ‘terminals of multiple networks’.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Baudrillard admits that this is close to ‘science fiction’. It is perhaps closer than he realised: E.M. Forster had already suggested this in his 1909 short story, ‘The Machine Stops’ which depicted a world of individuals closed off in their rooms away from all real contact, all connected by a web-like communicational machine (5). The rise of the internet as a popular, everyday medium, however, casts a new light on these ideas. Baudrillard’s 1980s vision of the path of a society where ‘everything becomes immediately transparent, visible, exposed in the raw and inexorable light of information and communication’; where a ‘pornography’ of the real dominates is now all too easy to recognise. Like Caillois Baudrillard also draws upon the figure of the schizophrenic to explain the impact of all this. Ours is ‘a new form of schizophrenia’, he says. The emergence of ‘an immanent promiscuity and the perpetual interconnection of all information and communication networks’ leads to ‘a state of terror which is characteristic of the schizophrenic’, that of ‘an over-proximity of all things’: 'In spite of himself the schizophrenic is open to everything and lives in the most extreme confusion. He is the obscene victim of the world’s obscenity. The schizophrenic is not, as generally claimed, characterised by his loss of touch with reality, but by the absolute proximity to and total instantaneousness with things, this overexposure to the transparency of the world'. Stripped of a stage, Baudrillard concludes, the schizophrenic ‘cannot produce the limits of his very being’: ‘he becomes a pure screen, a pure absorption and resorption surface of the influent networks’. In Baudrillard we find, therefore, an electronic fulfilment of Caillois’s psychasthenia. Integrated and assimilated into the networks of communication and crossed by their content and output the individual self physically and mentally disappears.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Baudrillard admits that this is close to ‘science fiction’. It is perhaps closer than he realised: E.M. Forster had already suggested this in his 1909 short story, ‘The Machine Stops’ which depicted a world of individuals closed off in their rooms away from all real contact, all connected by a web-like communicational machine (5). The rise of the internet as a popular, everyday medium, however, casts a new light on these ideas. Baudrillard’s 1980s vision of the path of a society where ‘everything becomes immediately transparent, visible, exposed in the raw and inexorable light of information and communication’; where a ‘pornography’ of the real dominates is now all too easy to recognise. Like Caillois Baudrillard also draws upon the figure of the schizophrenic to explain the impact of all this. Ours is ‘a new form of schizophrenia’, he says. The emergence of ‘an immanent promiscuity and the perpetual interconnection of all information and communication networks’ leads to ‘a state of terror which is characteristic of the schizophrenic’, that of ‘an over-proximity of all things’: 'In spite of himself the schizophrenic is open to everything and lives in the most extreme confusion. He is the obscene victim of the world’s obscenity. The schizophrenic is not, as generally claimed, characterised by his loss of touch with reality, but by the absolute proximity to and total instantaneousness with things, this overexposure to the transparency of the world'. Stripped of a stage, Baudrillard concludes, the schizophrenic ‘cannot produce the limits of his very being’: ‘he becomes a pure screen, a pure absorption and resorption surface of the influent networks’. In Baudrillard we find, therefore, an electronic fulfilment of Caillois’s psychasthenia. Integrated and assimilated into the networks of communication and crossed by their content and output the individual self physically and mentally disappears.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''Bold text'''</del></div></td><td colspan="2"> </td></tr>
</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=1087&oldid=prevCaseorganic at 19:36, 18 August 20102010-08-18T19:36:31Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:36, 18 August 2010</td>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">__NOTOC__</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety.[1] The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".</blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>"Psychasthenia is a psychological disorder characterized by phobias, obsessions, compulsions, or excessive anxiety.[1] The term is no longer in psychiatric diagnostic use, although it still forms one of the ten clinical subscales of the popular self-report personality inventories MMPI-I and MMPI-II".</blockquote></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>*Originally published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Bold text'''</ins></div></td></tr>
</table>Caseorganichttp://cyborganthropology.com/wiki/index.php?title=Psychasthenia&diff=1086&oldid=prevCaseorganic at 19:06, 18 August 20102010-08-18T19:06:28Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 19:06, 18 August 2010</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</blockquote></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div><blockquote>[http://en.wikipedia.org/wiki/Psychasthenia http://en.wikipedia.org/wiki/Psychasthenia]</blockquote></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Also see: [[Panic Architecture]], [[Surface Tension]] and [[The Templated Self]]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Also see</del>: <del class="diffchange diffchange-inline">[[Panic Architecture]]</del>, <del class="diffchange diffchange-inline">[[Surface Tension]] </del>and <del class="diffchange diffchange-inline">[[The Templated Self]]]</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote>"Will Merrin posted a fascinating essay at Media Studies 2.o back in September, which I have only just now got around to reading. He addresses the social networking user through Roger Caillois’s 1935 essay “Mimicry and Legendary Psychasthenia“. Merrin critiques the social networking profile and points out a beef I’ve had for a while with the proliferation of Facebook and its boring, blue and white layout used for every person on the site</ins>:</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Once the construction of a personal webpage required some degree of programming expertise. Today the social networking user merely interacts with</ins>, <ins class="diffchange diffchange-inline">manipulates and fills-in pre-programmed templates </ins>and <ins class="diffchange diffchange-inline">applications".</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">3 Comments</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote>In an interesting twist</ins>, <ins class="diffchange diffchange-inline">especially with the references to Baudrillard, who often points </ins>to the <ins class="diffchange diffchange-inline">importance of symbolic exchange in pre-industrial society in his work, it seems that </ins>the <ins class="diffchange diffchange-inline">personally designed webpage now takes on </ins>the <ins class="diffchange diffchange-inline">aura </ins>of <ins class="diffchange diffchange-inline">artisanship. In effect</ins>, <ins class="diffchange diffchange-inline">opportunities </ins>for <ins class="diffchange diffchange-inline">difference and “individuality” are better able to be expressed through </ins>the <ins class="diffchange diffchange-inline">freedom </ins>of <ins class="diffchange diffchange-inline">basic html design than the restricted and similar nature </ins>of the <ins class="diffchange diffchange-inline">Facebook profile page</ins>, <ins class="diffchange diffchange-inline">which looks the same for everyone </ins>and <ins class="diffchange diffchange-inline">the content of which is dictated by that which is made available to Facebook users</ins>.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Will Merrin posted a fascinating essay at Media Studies 2.o back in September</del>, <del class="diffchange diffchange-inline">which I have only just now got around </del>to <del class="diffchange diffchange-inline">reading. He addresses </del>the <del class="diffchange diffchange-inline">social networking user through Roger Caillois’s 1935 essay “Mimicry and Legendary Psychasthenia“. Merrin critiques </del>the <del class="diffchange diffchange-inline">social networking profile and points out a beef I’ve had for a while with </del>the <del class="diffchange diffchange-inline">proliferation </del>of <del class="diffchange diffchange-inline">Facebook and its boring</del>, <del class="diffchange diffchange-inline">blue and white layout used </del>for <del class="diffchange diffchange-inline">every person on </del>the <del class="diffchange diffchange-inline">site:</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Once the construction </del>of <del class="diffchange diffchange-inline">a personal webpage required some degree </del>of <del class="diffchange diffchange-inline">programming expertise. Today </del>the <del class="diffchange diffchange-inline">social networking user merely interacts with</del>, <del class="diffchange diffchange-inline">manipulates </del>and <del class="diffchange diffchange-inline">fills-in pre-programmed templates and applications</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">In an interesting twist, especially with the references </del>to <del class="diffchange diffchange-inline">Baudrillard, who often points </del>to <del class="diffchange diffchange-inline">the importance </del>of <del class="diffchange diffchange-inline">symbolic exchange in pre-industrial society in his work, it seems that the personally designed webpage now takes </del>on <del class="diffchange diffchange-inline">the aura </del>of <del class="diffchange diffchange-inline">artisanship</del>. <del class="diffchange diffchange-inline">In effect</del>, <del class="diffchange diffchange-inline">opportunities for difference and “individuality” are better able to be expressed through </del>the <del class="diffchange diffchange-inline">freedom </del>of <del class="diffchange diffchange-inline">basic html design than </del>the <del class="diffchange diffchange-inline">restricted and similar nature </del>of the <del class="diffchange diffchange-inline">Facebook profile page, which looks the same for everyone and the content </del>of <del class="diffchange diffchange-inline">which is dictated by that which is made available to Facebook users</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote>What one hopes will add </ins>to <ins class="diffchange diffchange-inline">one’s distinction only adds </ins>to <ins class="diffchange diffchange-inline">ones depersonalisation: how many images </ins>of <ins class="diffchange diffchange-inline">friends posing with drinks are there already </ins>on <ins class="diffchange diffchange-inline">Facebook? And there is no hope here </ins>of <ins class="diffchange diffchange-inline">resistance</ins>. <ins class="diffchange diffchange-inline">Even the refusal to post a photo</ins>, the <ins class="diffchange diffchange-inline">use of alternative images or attempts at an artistic subversion </ins>of the <ins class="diffchange diffchange-inline">form merely take their place within a pre-coded representational system as part </ins>of the <ins class="diffchange diffchange-inline">normal range </ins>of <ins class="diffchange diffchange-inline">allowed responses</ins>.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">What one hopes will add to one’s distinction only adds to ones depersonalisation: how </del>many <del class="diffchange diffchange-inline">images of friends posing with drinks are there already on Facebook? And there is no hope here of resistance. Even the refusal to post a photo</del>, the <del class="diffchange diffchange-inline">use of alternative images or attempts at an artistic subversion of the form merely take their place within a pre-coded representational system as part of </del>the <del class="diffchange diffchange-inline">normal range of allowed responses</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote>Indeed, while </ins>many <ins class="diffchange diffchange-inline">view social networking as liberatory</ins>, <ins class="diffchange diffchange-inline">this essay points out some fairly important reasons why it can also been seen as further disconnecting and “depersonalising” </ins>the <ins class="diffchange diffchange-inline">self from </ins>the <ins class="diffchange diffchange-inline">world</ins>.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Indeed, while many view social networking as liberatory, this </del>essay <del class="diffchange diffchange-inline">points out some fairly important reasons why it can also been seen as further disconnecting </del>and <del class="diffchange diffchange-inline">“depersonalising” the self from the world</del>.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote>Source: [http://paulaitken.com/2008/03/09/cool-</ins>essay<ins class="diffchange diffchange-inline">-myspace-</ins>and<ins class="diffchange diffchange-inline">-legendary-psychasthenia/ http://paulaitken</ins>.<ins class="diffchange diffchange-inline">com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/]</blockquote> </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''Paul Aitken - March 23, 2008 at 13:27'''</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''Paul Aitken - March 23, 2008 at 13:27'''</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>@Kishore – I certainly agree that even using Frontpage or Dreamweaver is yet another level of the “template” in action. What I found interesting was Merrin’s conflation of the hardcoded HTML page with a greater level of individuality. In that analysis, the old-school personal homepage seemingly occupies the position of synthesis in the dialectic of older presentations of the self through print media, and newer presentations through the web. The individual’s labour in coding a page becomes seen as somehow more authentic than the less labour-intensive act of creating a Facebook, Myspace, etc. profile. Of course, this proposition touches on the elitism of actually knowing the coding language and suggests then that the authenticity of one’s web-self is linked to the ability to understand and deploy the technical possibilities of code. Recourse to discourses of technical mastery in this case does indicate that despite the so-called liberatory aspects of online participation, we are still led to deal with perennial issues of power and control.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote></ins>@Kishore – I certainly agree that even using Frontpage or Dreamweaver is yet another level of the “template” in action. What I found interesting was Merrin’s conflation of the hardcoded HTML page with a greater level of individuality. In that analysis, the old-school personal homepage seemingly occupies the position of synthesis in the dialectic of older presentations of the self through print media, and newer presentations through the web. The individual’s labour in coding a page becomes seen as somehow more authentic than the less labour-intensive act of creating a Facebook, Myspace, etc. profile. Of course, this proposition touches on the elitism of actually knowing the coding language and suggests then that the authenticity of one’s web-self is linked to the ability to understand and deploy the technical possibilities of code. Recourse to discourses of technical mastery in this case does indicate that despite the so-called liberatory aspects of online participation, we are still led to deal with perennial issues of power and control.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Which speaks to your point about the “big Other” corporations. Indeed there has been great debate over the involvement of Facebook in surveillance and data mining, most of which raise flags over the sheer amount of personal information users voluntarily put on their profiles and how this can be used for target advertising and the like. It seems to me that there are two related issues here, and that the notion of depersonalisation inheres in both. One is that there is a distinct financial benefit in attracting a great number of users to a social networking site and requiring them to “flatten” our themselves in order to fit with the aesthetics of the site – the limited options make the processes of data gathering for advertising purposes much simpler. Secondly, perhaps the similarity of profiles can lead to an overall user mentality of “We’re all the same here” which greatly assists the advertisers on the site who rely on the sense of belonging that the site espouses to suggest that if one of your “friends” is buying a product, then you might like it too.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote></ins>Which speaks to your point about the “big Other” corporations. Indeed there has been great debate over the involvement of Facebook in surveillance and data mining, most of which raise flags over the sheer amount of personal information users voluntarily put on their profiles and how this can be used for target advertising and the like. It seems to me that there are two related issues here, and that the notion of depersonalisation inheres in both. One is that there is a distinct financial benefit in attracting a great number of users to a social networking site and requiring them to “flatten” our themselves in order to fit with the aesthetics of the site – the limited options make the processes of data gathering for advertising purposes much simpler. Secondly, perhaps the similarity of profiles can lead to an overall user mentality of “We’re all the same here” which greatly assists the advertisers on the site who rely on the sense of belonging that the site espouses to suggest that if one of your “friends” is buying a product, then you might like it too.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''@caseorganic'''</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>'''@caseorganic'''</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This sort of identity production (the idea of templated identity vs. the hardcoded identity on a personal website is especially relevant today, and is being discussed by people such as Chris Messina and Tantek Celik, who push for owning one's identity and using one's personal website as an identity broker vs. connecting and signing in to websites through free-ad based identity providers such as Facebook.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline"><blockquote></ins>This sort of identity production (the idea of templated identity vs. the hardcoded identity on a personal website is especially relevant today, and is being discussed by people such as Chris Messina and Tantek Celik, who push for owning one's identity and using one's personal website as an identity broker vs. connecting and signing in to websites through free-ad based identity providers such as Facebook.<ins class="diffchange diffchange-inline"></blockquote></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Myspace and Legendary Psychasthenia===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>===Myspace and Legendary Psychasthenia===</div></td></tr>
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<td colspan="2" class="diff-lineno">Line 156:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Beyond doubt some of the above developments are far from offering any guarantee from the standpoint of certainty. It may even seem questionable to compare such diverse realities as homomorphy and the external morphology of certain insects, sympathetic magic and the concrete behaviour of people of a certain type of civilization and perhaps a certain type of thought, and finally psychasthenia and the psychological postulations of people belonging, from these points of view, to opposite types. Such comparisons, however, seem to me not only legitimate (just as it is impossible to condemn comparative biology) but even indispensable as soon as we approach the obscure realm of unconscious determinations. Besides, the solution proposed contains nothing that should give rise to suspicions of dogmatism: it merely suggests that alongside the instinct of self-preservation, which in some way orients the creature toward life, there is generally speaking a sort of instinct of renunciation that orients it toward a mode of reduced existence, which in the end would no longer know either consciousness or feeling--the inertia of the élan vital, so to speak. It is on this level that it can be gratifying to give a common root to phenomena of mimicry both biological and magical and to psychasthenic experience, since the facts seem so well to impose one on them: this attraction by space, as elementary and mechanical as are tropisms, and by the effect of which life seems to lose ground, blurring in its retreat the frontier between the organism and the milieu and expanding to the same degree the limits within which, according to Pythagoras, we are allowed to know, as we should, that nature is everywhere the same.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Beyond doubt some of the above developments are far from offering any guarantee from the standpoint of certainty. It may even seem questionable to compare such diverse realities as homomorphy and the external morphology of certain insects, sympathetic magic and the concrete behaviour of people of a certain type of civilization and perhaps a certain type of thought, and finally psychasthenia and the psychological postulations of people belonging, from these points of view, to opposite types. Such comparisons, however, seem to me not only legitimate (just as it is impossible to condemn comparative biology) but even indispensable as soon as we approach the obscure realm of unconscious determinations. Besides, the solution proposed contains nothing that should give rise to suspicions of dogmatism: it merely suggests that alongside the instinct of self-preservation, which in some way orients the creature toward life, there is generally speaking a sort of instinct of renunciation that orients it toward a mode of reduced existence, which in the end would no longer know either consciousness or feeling--the inertia of the élan vital, so to speak. It is on this level that it can be gratifying to give a common root to phenomena of mimicry both biological and magical and to psychasthenic experience, since the facts seem so well to impose one on them: this attraction by space, as elementary and mechanical as are tropisms, and by the effect of which life seems to lose ground, blurring in its retreat the frontier between the organism and the milieu and expanding to the same degree the limits within which, according to Pythagoras, we are allowed to know, as we should, that nature is everywhere the same.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*<del class="diffchange diffchange-inline">originally </del>published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*<ins class="diffchange diffchange-inline">Originally </ins>published in Minatoure, 7, 1935 (N.B the demarcation of paragraphs in this text is not as it occurs in the original).</div></td></tr>
</table>Caseorganic