Difference between revisions of "Celebrity as Cyborg"
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| + | ===Definition=== | ||
The celebrity is the ultimate form of cyborg. It exists on an Actor Network of technosocial connections attached to a system of production, reproduction and distribution. The celebrity consists of a series of perfect moment augmented by makeup, lighting, and video that are expanded to take up space and time in the minds of consumers. Like the impossible feast, the celebrity cannot be fully consumed, and the more times the viewer accesses the celebrity, the more their mental taste buds seek new celebrity data. | The celebrity is the ultimate form of cyborg. It exists on an Actor Network of technosocial connections attached to a system of production, reproduction and distribution. The celebrity consists of a series of perfect moment augmented by makeup, lighting, and video that are expanded to take up space and time in the minds of consumers. Like the impossible feast, the celebrity cannot be fully consumed, and the more times the viewer accesses the celebrity, the more their mental taste buds seek new celebrity data. | ||
| − | The celebrity is an example of the production of identity through technology. One's identity can be endlessly reproduced and distributed. One perfect moment can be stretched out over a long period of time. A classic pinup model can still grace one's bedroom wall today. | + | ===Identity Reproduction=== |
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| + | The celebrity is an example of the production of identity through technology. One's identity can be endlessly reproduced and distributed. One perfect moment can be stretched out over a long period of time. A classic pinup model can still grace one's bedroom wall today. The Actor Network that produces the celebrity is massive. Many celebrity networks are made up of many identity producing agents, each having expertise in a specific area of identity production: hairstylists and producers, creative directors and billboard installers, agents , filmmakers and directors, advertisers and salespeople make up this network. The other part of the network is the viewer network, or fan network. The fans do not see the unprocessed human at any moment. Rather, they see the cybernetically produced product formatted specifically for their consumptive pleasure. Because the audience never sees the "man behind the curtain", they are free to make the figure into a god of sorts. After all, the celebrity is not one person, but a compilation of multiple actors acting to produce a product. The product can lose shelf life or go sour over time, which the target audience may also enjoy. Britney Spears is a prime example of this. | ||
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| + | ===Digital Celebrity=== | ||
| + | The Internet allows one to take production of identity into one's own hands, meaning that digital celebrities can have more control over the actor network of specialists, because the actor network is actually robotic. The viewers chose who they want to see and also have control over distribution. This makes not only the digital celebrity a producer and distributor, hairstylist and advertiser, but the audience is a producer, distributor and advertiser as well. Those who own the backbone or tools for the production of value and distribution networks are the winners in this case. They no longer have to produce value, only provide a space for it to connect with each other, be viewed, amplify, and be distributed. | ||
Revision as of 00:01, 16 October 2010
Definition
The celebrity is the ultimate form of cyborg. It exists on an Actor Network of technosocial connections attached to a system of production, reproduction and distribution. The celebrity consists of a series of perfect moment augmented by makeup, lighting, and video that are expanded to take up space and time in the minds of consumers. Like the impossible feast, the celebrity cannot be fully consumed, and the more times the viewer accesses the celebrity, the more their mental taste buds seek new celebrity data.
Identity Reproduction
The celebrity is an example of the production of identity through technology. One's identity can be endlessly reproduced and distributed. One perfect moment can be stretched out over a long period of time. A classic pinup model can still grace one's bedroom wall today. The Actor Network that produces the celebrity is massive. Many celebrity networks are made up of many identity producing agents, each having expertise in a specific area of identity production: hairstylists and producers, creative directors and billboard installers, agents , filmmakers and directors, advertisers and salespeople make up this network. The other part of the network is the viewer network, or fan network. The fans do not see the unprocessed human at any moment. Rather, they see the cybernetically produced product formatted specifically for their consumptive pleasure. Because the audience never sees the "man behind the curtain", they are free to make the figure into a god of sorts. After all, the celebrity is not one person, but a compilation of multiple actors acting to produce a product. The product can lose shelf life or go sour over time, which the target audience may also enjoy. Britney Spears is a prime example of this.
Digital Celebrity
The Internet allows one to take production of identity into one's own hands, meaning that digital celebrities can have more control over the actor network of specialists, because the actor network is actually robotic. The viewers chose who they want to see and also have control over distribution. This makes not only the digital celebrity a producer and distributor, hairstylist and advertiser, but the audience is a producer, distributor and advertiser as well. Those who own the backbone or tools for the production of value and distribution networks are the winners in this case. They no longer have to produce value, only provide a space for it to connect with each other, be viewed, amplify, and be distributed.
